[kr]\.d\.lai?ng

The big wrap-around screen illustrates through a series of sophisticated and engaging visual metaphors a range of psychotic existential positions. The performer walks among the audience explaining them through the medium of hearty country music.

In the interval, the performer takes too much lysergic acid diethylamide, and the second act is just a ranty recitation of clichés from the sixties, expressed through the medium of Leonard Cohen covers. But the big wrap-around screen shows a pleasing, albeit static, image of a bird of paradise.