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Our once beloved oldies have been bled dry. They well may be part and parcel of the "Soundtrack of Our Lives" but sadly today they only succeed in conjuring images of convenience stores and feminine hygiene products and fast food and vehicles most of us couldn't afford even if we worked three jobs.
Don't
workout to commercials. Get down with some swingin' complex polyphonic vocal pieces from the 16th century.
Unclutter your mind and the fat will take care of itself.
O! Fortuna (Translation)
http://www.auburn.e...ertocr/Fortuna.html [The Military, Jun 19 2001]
Early music CDs
http://www.medieval.org/emfaq Everything you ever wanted to know about music pre-Mozart, and pre-commercials [Trouvere, Jun 19 2001, last modified Oct 21 2004]
O! Fortuna (Translation)
http://www.auburn.e...ertocr/Fortuna.html [The Military, Oct 05 2004, last modified Oct 21 2004]
[link]
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Thomas Tallis rocks. How about a halfbakery Chamber Choir, or a capella group? We could do the Seven Lessons and Carols in TPPCPPC. While pumping iron. |
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Step Aerobics to 'Spem in Alium'? I don't think so. |
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Weep, O Mine Eyes as thou cellulite shaketh before me, yon lardy one. |
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Spem in Alium also has the memorable refrain: "no more chicken salad, no more chicken salad..." in fugue form, too. Quite how chicken salad posed a problem for a 16th c. sacred music composer is not clear. However, it may serve as a warning of the evils of mayonnaise to our heavenly aerobics participants. |
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Hey! Baked. I ride my exercise bike to the sound of O! Fortuna. There's nothing like that opening line to get those pedals turning. |
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You know O! Fortuna? Great! Ineed to know: That part that sounds sort of like... |
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I like Texas
You like Texas
Deep in the Heart of Texas |
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Well, as Carmina Burana is predominantly about drink and debauchery, I wouldn't be surprised.
I can't offhand remember what O Fortuna is about. Anyone got a translation? |
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http://www.auburn.edu/~bertocr/Fortuna.html |
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<admin> Use the 'link' button to add a link, The Military.
jutta must be slowing down in her old age. |
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jutta, "...I guiltily take because of you." My apologies. |
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Thanks for the link, Mil.
Hmmm so what *is* it about then, eh? Gambling perhaps? |
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Many welcomes, Lem. I think the real beauty of the lyrics is their seeming power to suggest many interpretations to those not certain. |
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This we suspected, Rods. The "sonically embody" reference was a big tip-off. And in that regard, I would
concur with gusto. |
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Carl Orff was, of course 20th century - at least, once he'd started school (1895-1982).
For madrigals, you're looking for people like Monteverdi (the Italian kind) or Morley (the English).
But for rocking early music, try Guillaume de Machaut, Solage, Pierre de Vitry, Thomas Pycard. |
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