h a l f b a k e r yRight twice a day.
add, search, annotate, link, view, overview, recent, by name, random
news, help, about, links, report a problem
browse anonymously,
or get an account
and write.
register,
|
|
|
|
Well baked in Spain. Soz. |
|
|
"The music and the visuals can be coordinated too, to make a visual song."
I should think that would pretty much be a given. |
|
|
I hate those shrill little screamers, but something that will make a foghorn F three octaves below middle C should satisfy the cravings of the "e+++" pyromaniacs among us. |
|
|
why not? think about it you could explot sheet music one to one, wad you figure 80 feet per second? sure if we had a CAR that could keep up. then all the notes could be fired in sequence and,, doppler shift would'ent matter, wait a minuite where were you standing, wips out his calulator thats impossible. |
|
|
Think about it its like a pipe organ that expands like the universe. |
|
|
If, like the screamers, this is a ground display, location wouldn't greatly matter. If it's an aerial, then location - and velocity - will matter a lot - but it's not impossible to make a pretty good estimate of where and when the firework will be producing the audio. |
|
|
I'm putting my percussives in a tightly defined space above and behind the audience; melodic theme done legato at the front; backgrounders more to the sides. Yes, there's some limitations, but not anything like // thats impossible //. |
|
|
Brings to mind the end scenes of "Close Encounters of the Third Kind". |
|
|
Make sure they're all tuned to a similar chord or perhaps a pentatonic scale, or you'll have a cacaphony on your hands. Preferably C major... this is how slot machines at casinos work. |
|
| |