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Everyone knows about white keys and black keys on the pianowhite keys play natural notes, and black keys play sharps and flats. But what if you want to play a note between a white key and a black key?
I propose that new pianos come with blue keys. Youll find them between the black keys and white
keys, set further back and higher up. Hit one when ever you need a quarter tone such as C-half-sharp, or E-flat-and-a-half.
(See link)
Blue Keys
http://www.geocitie...design/BlueKeys.htm Picture of a keyboard with blue keys [AO, Oct 04 2004, last modified Oct 05 2004]
Michael Harrison's piano
http://www.michaelh...monic/harmonic.html 24 notes per octave [angel, Oct 04 2004, last modified Oct 05 2004]
Temperament: The Idea That Solved Music's Greatest Riddle
http://www.bookrepo...iews/0375403558.asp A good read indeed. [bristolz, Oct 04 2004, last modified Oct 05 2004]
An explanation of Just Intonation
http://home.earthli.../~kgann/tuning.html Under the hood of Just Intonation which is, basically, a bunch of tuning principals upon which a practically limitless variety of scales, chords and intervals can be derived for both tonal, and atonal, music scoring. [bristolz, Oct 04 2004, last modified Oct 05 2004]
Chromelodeon
http://www.corporea...instbro/inst12.html 43 note scale keyboard instrument [(), Oct 04 2004, last modified Oct 05 2004]
Cambodian Scales
http://research.umb.../cambodia/scale.htm [Klaatu, Oct 04 2004, last modified Oct 05 2004]
[link]
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Now I can play the Blue Danube! |
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Or the glissando in "Rhapsody in Blue"! |
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<pretentious Wynton Marsalis voice> You see, you got listen to the notes in between the notes. </pretentious Wynton Marsalis voice> |
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Some cultures (India, among others, I think) have the scale divided into more than 12 tones. This would make it easier to play music from such cultures. |
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I think it is not just that they are divided into a different number of tones, but the ratio between the frequencies is different. The sitar is probably the most commonly known insturment that uses a non-western toneset. |
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Well, yeah. The differing ratio between frequencies is what allows the scale of one octave (which is the same in all musical styles, as it comes from the actual acoustic frequency) to be divided into different numbers of tones. |
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Arab melodies use tones half-way between western notes, leading to 24 notes. Scales of 22 steps are used in India. At the other extreme, Australian aborigines chant to a 2 note scale, which I believe Lou Reed sings. |
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Then this'd be an Arabic piano. |
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I can see Sting getting one of these. |
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<sidenote>I refer to these as "E and 1/2" or what have
you.</sidenote> +, just because i like messing with the
pre-existing. |
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For traditional (ie, non-experimental, per my link) Western music, you would never "need a quarter tone" because they don't exist in such music, grounded as it is in the twelve-note scale. (Please note that I am not saying that the idea is bad because of this.) However, where this layout would be useful (in such music) would be to enable a player to differentiate between say D-sharp and E-flat. These two notes are homophonic under the equal-tempered scale in overwhelmingly common use now, but the various systems used historically (and still used now by some enthusiasts) distinguish between them. |
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Doe and a half, a deer and a half, a female deer and a half, ... |
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Heh. Chop-chop-chopsticks. |
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I have tried this idea using 2 keyboards and one tuned a quarter step out of key. This is a great idea, but just a little hard to really put into motion. kool sounds come out of this tho |
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I'm surprised nobody's said anything about this giving them the blues..... |
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New MIDI standard, for it? |
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Doesn't pitch "bend" already do this? |
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