h a l f b a k e r yOn the one hand, true. On the other hand, bollocks.
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I'm thinking of gloves for both hands, with extensions on the ends of the fingers appropriate to the media being utilized.
For painting, brush-fingers.
For sketching, charcoal-fingers.
For carving, blade-fingers.
For sculpting, stylus-fingers.
The advantage the artgloves is the
enabling of the artiste to not be hindered by the limitations of a single creative interaction point between object and subject -- instead, there are TEN.
Artgloves are naturally ideally suited most likely to abstract/ expressionist/ stream-of-consciousness works over realist styles.
Rather than an event or a process, creation becomes a terpsichoreographic experience!
The donning of the glove.
http://www.we-make-...ideweb__430x379.jpg [2 fries shy of a happy meal, Jun 20 2006]
Here's a version for eating
Silverwear [normzone, Jun 20 2006]
Fingernail-ERS
Fingernail-ERS Inspired by this fine idea. [baconbrain, Jun 21 2006]
For those of you without imagination.
http://i5.tinypic.com/157geo0.gif [nihilo, Jun 22 2006]
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I'm scared of picking my nose with a lino-cutter. |
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I can't imagine why. Do you pick it abstractly? |
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my sweet mother was a huge fan of the pre-raphaelites and I have a wonderful memory of her looking and touching real sketches in an Oxford museum, some years ago - she had to wear white gloves to handle them. bloody lovely memory! |
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Po, that is a lovely memory. Thanks for the image. |
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"I'm a tool-using primate." I prefer tools that I can hold on to. |
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However, this gives me an idea that may not be worthy of a separate posting. Oh, what the heck . . . see link to Fingernail-ERS. |
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i don't think you'd have enough leverage
for using either carving utencils or
charcoal. brushes and pencils would be
fine though. |
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this would require a whole new type of
technique be developed, and that could be
a problem |
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Thanks, [nihilo]! Now I'm even more scared of picking it representationally. |
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The pictures might help. SOMETHING has to. |
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